(Personal) Choices
Dec. 14th, 2015 01:00 pm(Personal) Going Back to Go Forward
Dec. 7th, 2015 01:00 pmMy childhood was spent in a procession of hostile places. At home, I had a severe, distant mother and an alcoholic father to tend with; my sister got into trouble a lot and ran away from home several times, so there was always something terrible going on there. At school I was a poor, shy kid who had no social skills and a meek disposition. I got along with the teachers well enough, but that only made life worse with the students. At my church, I was a "spiritual orphan", more a pity project for elders in the congregation than a colleague and certainly one of the least popular kids there. I spent most of my life growing up with few friends and a certainty that I didn't fit in any of the places that surrounded me.
So, when I discovered the Internet and the furry community it was a lifeline for me. There was a whole community of people out there who shared my interests and mindset, no matter how strange it was. After I graduated high school, I worked two mall jobs and spent what little free time that gave me talking to people online. I would often get home after midnight, wake up at 6 or 7 AM and catch the bus to do it all again.
When I went to college, I accepted my sexuality. When I came out to my mother and she rejected me, I knew that was my last link to my community gone. I would absolutely be disfellowshipped from my congregation, and after that my mother would more than likely be encouraged not to speak to me. My sister and I weren't close at that point, and I hadn't developed a strong bond with anyone else in my family. I left home in the summer of 1999 and I haven't been back since.
For a long time, it was hard to think of myself as a black man. I felt thoroughly rejected by my tribe and just as wholeheartedly accepted by a new one. I'd rather think of myself as a geek and a furry because that was the community I had jumped in with. And they're still a huge part of my life -- I love the furry fandom, and I love geeking out with other people who love science-fiction, urban/modern fantasy and post-apocalyptic stories. This is still my tribe, and I feel more comfortable here than I ever have anywhere else.
But over the past year or so, with my discovery of the black geek community online and my slow but steady connection with black geeks through Twitter and the blogosphere, it's occurred to me that the black part of my identity is still there, will always be there, and continues to wield its influence over me. I'll see social dynamics differently than most people, and my experiences of being marginalized in both the dominant culture and my little minority tribe will continue to have some bearing on the way I see the world. To deny that would be dishonest to myself, and I can't do that any more.
I've been trying to absorb what that means for myself, but over the past year I've found myself making small and hesitant overtures back to at least the part of black culture that overlaps with the tribe I've chosen for myself since leaving home. And it's been a wonderful experience; learning that our shared history and experience can be used to create wildly different stories that are just as vital and interesting and imaginative as a Euro-centric tale is nothing short of a revelation. I've been so intrigued by the idea of it, and it's made me want to dig back into not only my own personal history, but the history of my people to better understand my place in the fringes of it.
So I've been dabbling in telling stories borne out of my experience and the way it's shaped my understanding of the culture I came from. I've been seeking out the voices of other intelligent black people who've been making a place at the table for themselves within the broader SFF community. I've been slowly trying on my blackness, but I've had trouble feeling it, had trouble feeling connected to the place where I've come from.
That was until I saw The Wiz Live.
For those of you who don't know, The Wiz is a musical re-imagining of The Wizard of Oz featuring an all-black cast. Most people know it as a somewhat campy 70s movie starring Diana Ross, Michael Jackson and Richard Pryor but it was a surprise hit on Broadway before that, winning seven Tony Awards in its first year (including Best Musical). I had never seen the 70s movie up until now, when NBC decided to put on a live staging of The Wiz as part of its nascent Thanksgiving tradition.
I won't go into too much detail here, though I can spaz about The Wiz for a really long time. But the musical re-contextualizes everyone's desires through issues that affect the black community at large in really interesting ways. Dorothy finds herself stuck in a place she doesn't want to be, though it's the only home she's got and she can't go back to the one she had; the Scarecrow can't think of a way out of his situation, which is a losing game that he's forced to play; the Tin Man loved the wrong woman, and now she's stolen his heart and left him without the ability to feel anything; and the Lion struggles to muster the courage to deal with the very real difficulties he faces in life.
The performances were nothing short of amazing -- for the most part. But what really hit home for me were the songs; numbers like "You Can't Win" and "What I Would Do If I Could Feel" talk about the depression and bitterness that build up through a lifetime of feeling helpless, but "Be A Lion," the brand-new "We Got It" and "Everybody Rejoice/Brand New Day" acknowledges the difficulty of the black struggle while also encouraging us to live the virtues that have gotten us this far -- perseverance, fearlessness and compassion for the struggles of others. It's a uniquely black American story, steeped in our culture and concerns. I've never seen a story quite like that before, told so excellently, with such care and such pride, on some a big stage. It was a revelation.
It was the first time I felt connected to the community I had come from, or felt like I had a strong sense of its values, its struggles, its worries. It was the first time I ever saw a story that made me feel like this was something specifically told for me and mine. Seeing all of these immensely talented black people stepping up to tell a story to the best of their considerable abilities was….it made me realize what I could be. And it connected me to where I came from.
So now I feel I have a better grasp of my background -- not only of my personal history, but the social and emotional history of my people. I'm sure it wasn't just The Wiz that did it -- I've been digging around, learning more and pushing myself to interact more -- but it felt like a piece of the puzzle that clicked into place and allowed me to see a much more complete picture than I ever have before.
I'm going into my background and the storytelling around it with much more excitement and confidence now. I have a stronger sense of who I am, and an even greater desire to connect to my culture and its history. The specific troubles I went through are shared by a lot of black geeks like me, who find it difficult to be truly who they are while being a part of a community that encourages sameness for its own protection. I want to go back and rejoin it, while at the same time embracing my individuality. There's a place at that table for me, even if I have to make it myself. It's something that black geeks are used to doing at this point, right?
The story that I'm writing to put up on the blog this week is my first attempt at writing a furry story from a black perspective. I'm excited to share it, while at the same time I realize it's just the first step along a path. My understanding of my own history will continue to deepen and evolve, and hopefully my writing will reflect that over time. But for now, the first bit of that journey.
My Writing Guide to November 2015
Nov. 2nd, 2015 01:00 pmRainfurrest 2015 Wrap-Up
Sep. 30th, 2015 01:00 pmAnother Rainfurrest has come and gone, and I really loved the convention this year. The panels were fun and interesting, but more importantly I got to hang and chat with a bunch of people I had only known online -- JM Horse, Phil Geusz, Makyo and others in the [adjective][species] crew. There were a lot of folks from the Furry Writers' Guild there as well, and they're almost always delightful! Mary and Daniel Lowd I like more and more every time I get to meet them, and seeing Munchkin, MrMandolino, Dwale and others (too numerous to name!) was really excellent. I'm so happy to see a community of writers forming and networking, talking about their craft and helping each other take their writing to the next level. These are really exciting times to be a furry writer, I feel, and I'm lucky to be a part of that.
Ryan's books debuted over the course of the convention, and he had his book launch party on Saturday. He read the first scene from Koa of the Drowned Kingdom, an action-packed encounter with a huge, hungry crocodile that also happens to be a wonderful introduction to the characters and the unique world. He also read a scene from Forest Gods, with Doto and Clay traveling through the savannah and reflecting on the situation they've found themselves in. Koa's scene was great, but this scene from Forest Gods is brilliant, and it just reminded me all over again how amazing this book is. I know that I'm his husband and I might be just a little biased, but please trust me when I say that the Fire-Bearers series is simply excellent work and I wholeheartedly, unreservedly recommend that you pick up both God of Clay and Forest Gods as soon as possible. I'm tremendously proud of my husband for what he's accomplished, and I'm so excited that people get to read what he's been pouring himself into for the past few years.
I also picked up the Coyotl Award-winning Huntress by Renee Carter Hall so I could introduce myself to her writing properly, as well as the new anthology Inhuman Acts. It's a set of furry noir stories that I'm rather excited about; I got to hear a snippet of one story from the FurPlanet book launch that made me buy it as soon as I could. Watts Martin, a member of my writing group, workshopped one of the stories with us, and I'm really glad to see it found a home in the anthology. It is so good, and I'm really glad to see Watts popping up in anthologies again, as well as working on novellas and his first novel. Which is going to be a doozy, you guys. I can't wait for you to read it!
The reason I love conventions these days is to immerse myself in the community of folks who love furry fandom as much as I do, to have conversations about their experiences and passions, to compare notes about our work and divide the burdens we feel amongst ourselves. I also get to settle in with old friends, renewing and deepening friendships that can be stretched thin over long distances; I get to put faces to names, and imagine tweets and blog posts spoken in the manner of their writers. I can geek out to folks I've admired from afar for a long time. I can buy drinks for folks in exchange for a few minutes of their time.
Typically, I get depressed BEFORE the convention. Usually I've offered to be on a panel or made plans to hook up with someone, and I always worry about the panel or the meeting going terribly. What if I'm awkward? What if what I have to say comes out as a jumbled and confusing mess? What if I don't hit it off with the people I really like? I almost never sleep well the night before a convention; making sure that I've remembered my clothes and my medication, worrying about how I will deal with my scatter-brain and anxiety, takes the place of a good night's rest.
Then I arrive, and almost always hit the ground running. I meet people. We talk. I laugh a lot. I connect and understand them a lot better. I feel myself becoming more entrenched in this community that I love. I feel a part of things. Happiness sinks into the core of my being, enriches into joy, grows roots that become contentment. I'm floating by the time the convention is over, excited and rejuvenated to go back into my daily life. There is so much I want to do. There's a certainty I feel, that I'm on the right track, I'm doing the right things, and I'm resolved to keep on keeping on.
I'm so excited about my writing, guys. I'm really looking forward to polishing my work and putting it out there. I can't wait to see my name in anthologies, to sit in on more panels, to connect with more people. By the time Rainfurrest 2016 rolls around, I sincerely hope that people will be able to talk about the stories I have for sale at the convention -- even if they have problems with them, or are curious about certain choices that I've made.
I've left this convention with the determination to write and submit short stories to various zines and anthologies; to really push on a few of the projects that have been progressing slowly -- to make sure my Patreon launches well and I'm well-positioned to make it a fun experience for everyone involved, to make sure New Fables is out as soon as possible and we have an idea for how to take the idea into the future, to become a more active contributor to [adjective][species]; to make sure that my writing is pointing me towards the person that I would like to be. Conventions are a launching pad for each of us, and it's up to each of us to make sure we use the momentum well.
I've got a good head of steam behind me to propel me through the end of the year. I'm going to fly straight and true.
A Look Into The Future
Sep. 14th, 2015 02:00 pmI've been a little more quiet on the writing front than I feel comfortable with, but there's a reason for that. When I get deep into various projects, I tend to talk about them less because I guess I don't want to reveal how the sausage is made before it's presented. When I push a story out into the world, I want the story to stand on its own -- I don't think the audience should have any thoughts on the author and the trouble or decisions he made to have the story turn out the way it did.
Right now, I'm working on "A Stable Love" and having a lot of fun with it. The characters are surprising me, and that presents new challenges for me to think about, and the writing has been relatively smooth as I march towards its conclusion. I was having a lot of trouble with the first part, which I thought I needed for set-up, to establish the characters and the central issue, but when I got rid of it and moved the beginning of the story ahead, the world just opened up and things became a lot easier. I've shown the customer what I have so far and received an enthusiastic response, so that's incredibly encouraging.
I'm working on another story for MegaMorphics, an old-style APA, and its fall issue. I want my work appearing there to be a bit more polished and considered, which means working on it before the deadline! I have an idea for a Halloween story that I'm pretty excited about; I hammered down the idea with another contributor in hopes of a collaboration contribution -- I work the story, he works the art. I've never written a story like this before (it's horror), and I'm trying to do a few things that I'm not sure about. It's exciting but difficult work, and I'm looking forward to how it will turn out.
After that, working on a story for People of Color Destroy Science Fiction that I'm really excited to tuck into, and the prize story for a very generous fellow who donated the most towards my Clarion Write-A-Thon during week 6. I've given both of those some thought, and I think when I actually sit down to write them, the work will come relatively easy.
This is a completely new experience for me. As much as I love writing, it's always been extraordinarily difficult. I have perfectionist tendencies that have caused storms of anxiety, and that makes it hard to see anything but the mistakes. I've never been able to write shitty first drafts; I know writers who create such polished work right off the top of their head, and it's impossible not to compare yourself against that. My character work is never where I want it to be, and when the characters actually begin to live and breathe and deviate from the plot it legitimately freaks me out. I have no idea how to handle that.
But that's the state that I've always given lip service to wanting to go. Writing, for me, feels like being a conduit for something. When the ego drops away and I'm connected directly to the story, it feels like I'm possessed by something, transcribing an event as being dictated by someone "not me". When a story is really flowing, it's an out of body experience. And I know how crazy that sounds, but it's true.
For the longest time, I've never trusted myself to tap into that. Knowing the history of mental illness within my family, and dealing with my personal experience there, I've been very afraid of indulging any tendencies that could exacerbate those issues. Does writing make me crazier? Is it likely that one day, when working on a particularly intense story, I could have some kind of schizophrenic break? My life unfolded the way it did because my mother did not have any semblance of reality, was paranoid, unable to take care of me. I couldn't live with myself if I forced my husband and my friends to go through that.
I didn't even realize I was having that thought before doing the work I've been doing in my Anxiety group class. And realizing that writing, mental illness and anxiety had coalesced into this huge mental knot is ultimately freeing. I'm more willing to take risks with it, just because the feeling I have when writing is worth it. And that means I'm more willing to make mistakes and learn from them. I no longer catastrophize the consequences; if I fail, I can come back from that. With my mental illness, I trust my medication, I trust my self-care process, I trust my behavioral therapy, and I trust my support network.
For the first time, being a writer isn't some distant dream for me. It's who I am, and it's what I do. And I'm so very excited that I have an opportunity to do the things I've always wanted to do, that I get to be the person I've always wanted to be.
I have an idea for a serial story originally released on-line. It'll be furry stories, sci-fi and modern fantasy, adult. Right now, I would love to write about 1500 words a week, release that part in certain places, then collect three or four parts into a chapter that's released in a more polished form elsewhere. Once the story is finished (I'm thinking anywhere from 8 - 13 chapters per serial), hopefully I can polish it further, and release it as an ebook or self-published novel.
In order to work on this project, I'm launching a Patreon. Folks familiar with my furry work should know what to expect from the Jackalope Serial Company: stories about growth, personal and otherwise. When I'm ready to go live and work on the serials directly, I'll post a link with more information. But for now, I just wanted it out there. I'm expecting to be ready to go with it by the beginning of November.
I've also reached out to a few friends about the Furry Mental Health podcast; the person I know with the best equipment and knowledge for it suggested that I present a proof of concept to him for six shows, with subject matter, segments outlined, all of that. It's a solid recommendation, and I'm working on that. I would like to start recording THAT at the beginning of the new year, with episodes coming out in February or March.
So that's my plan for the rest of the year. Full steam ahead on short stories, getting the Jackalope Serial Company off the ground, putting together a first season of the Furry Mental Health podcast. I'm incredibly excited about all of this, and I can't wait to actually share finished stuff with you very soon.
When I Talk About Bigotry
Aug. 31st, 2015 01:00 pmThe Anxious Rabbit
Aug. 17th, 2015 01:00 pmMy 35th Year
Aug. 12th, 2015 01:00 pmThe Clarion Write-A-Thon: Week 4
Jul. 13th, 2015 01:00 pmThe Urge to Fundamentalism
Oct. 9th, 2013 10:45 amStill, there are a lot of times where I find myself digging in my heels on something. I'm a bit of an idealist, which is one of the worst things you can be when you're in a position of working with others to get things done. I get it into my head that there's a certain way things should be, based on my limited perspective and experience, and I'll draw a line in the sand. Once that happens, my coworkers are no longer individuals with their own ideas; they're obstructions between me and my goal. They're not people who have the same desire to be understood that I do. They're deficient because they don't hold the same values that I do. It's hard to pinpoint exactly where a coworker stops being a collaborator and starts being an enemy, but that turning point is a subtle but fundamental shift. That perception inhabits everything you do from that point on.
In the day-to-day business of making sure my job gets done, it's easy for me to get so close to my perspective that it basically overcomes my way of thinking. I'm almost positive that this is something that happens to everyone: you believe a few things that should be fundamental, objectively true, and you're baffled that anyone else could think differently. What's best for the department/company/nation/planet is obvious, so much so that anyone who disagrees must simply not be looking out for the best interests of the collective you're thinking about.
It's a short jump from the personal to the political, here. It's easy to think that our fellow citizens across the aisle must not have America's best interests at heart because, well, how could they? For Republicans, it must seem that liberals just want to bankrupt the country giving everyone free rides. Maybe to them, programs like the ACA (and Medicare, and Social Security before that) only contributes to a culture of entitlement that leads to a lazy, soft-working society. And to folks like me, Republicans seem like heartless assholes who are only concerned about themselves and have no sense of compassion or responsibility to the society we're all engaged in.
I'm perfectly willing to admit the biases I have due to the limits of my perspective and personality. It's difficult to remember just how subjective a lot of my "objective truths" are. I think the one of the basic problems in our society, political and otherwise, is the lack of ability to step outside yourself and remember that the person at cross purposes with you is actually just like you; you have the same goals, but vastly different perspectives on what those goals look like and how to get there. If we could understand what those goals look like to someone else, maybe we could stand a better chance at communicating with them and coming to some sort of compromise that gets us both closer to where we want to be.
I'll be trying to recenter my perspective at work to remember that my coworkers are collaborators, not enemies. Maybe there's a way to make my perspective known and understood, and reach out to make sure I understand theirs, too. Once we know what we're looking at, we can start talking about how to get where we both want to be.
When I was 13 years old, I decided that I wanted to be a UFOlogist. I had discovered the existence of this profession by watching episodes of Sightings every Friday night and reading OMNI Magazine, and I thought it was the most awesome thing to get paid for studying phenomena related to UFO sightings and alien abductions. I had been reading various case files and "non-fiction" books about alien abductions for a year or so, and I knew that's what I wanted to do with my life.
Before that, I had vague designs of being a writer. My mother had an old electric typerwriter that I banged out stories on; one of my very first projects was a sequel to my favorite book, The Wind in the Willows. I'm so glad that we didn't have the Internet back then, or else I'm sure I would have been one of the first people rabidly arguing whether or not someone's fan-fiction was a worthy addition to some communal cannon that had been established.
My obsession with UFOs took a long time to die. But by the time I was 16 I had gotten a hold of All Creatures Great and Small, and a new feverish passion took hold. The heady promise of youth had already begun to fade for me; I went from being a 'gifted and talented' student to a distinctly mediocre one, and that loss of my identity of being "the smartest kid in the room" had yet to be replaced by something else. When I read Herriott's account of rural veterinary medicine, I began to rebuild myself in his image. I wanted to be dedicated to the well-being of animals and people, officially a vet but unofficially a therapist, a friend, this big community organizer. I couldn't believe that you could get paid to do that, either.
That dream died when I took my first biology lab course, and when I discovered how insanely competitive any sort of medical field would be. I interned for an actual vet over the summer, and he turned out to be a Dr. House-type; he had burned his left leg very badly in an accident, dependent on painkillers and snark to get him through the day. When I had to take my dog to him to have her put to sleep, that was the final straw. I knew I couldn't do that. I just didn't have the stomach for it.
So I thought I would be a playwright. I became a double major in Theatre and English, changed my wardrobe from flannel to black everything, painted my fingernails, wore a pentacle necklace. I wanted to be a voice from the wilderness, a conduit for the forest and wild places to enter civilization through art. Then I found out just how extroverted and gregarious you had to be to make it anywhere in the world of theatre; high art has plenty of egos, and if you're not putting on a show all the time it's almost impossible to stand out. The identities I had constructed for myself were crumbling faster and faster; after a couple years in college, I lost my religion, my idea of my sexuality, my family almost simultaneously. It was too much, so I dropped out.
It took several years in Arkansas to even begin rebuilding. I followed a relationship to Fayetteville, and that didn't work out. I tried reconstructing myself again and again, trying on different personalities, flailing around to see who I was. It wasn't until I met Ryan that I found an anchor, learned how to be still and stopped trying to become someone. I learned how to discover who I was, who I had been this whole time.
Tomorrow morning I'll have been on this planet for 33 years. I'm nowhere near who I expected I would be: at first I thought I would be someone brilliant, a multi-hyphenate who excelled at everything he touched. But the problem with folks who have things come easy to them is that they never learn to work at something, so the moment they come up against some resistance they fold because they've never developed stamina. It's something I'm still making up for, even after all this time.
I thought I would be a writer, a scientist, a UFOlogist, a playwright, a veterinarian, a missionary, a monk, a mystic. It turns out I'm just this rabbit. ;) And a husband, to a wonderful man. The pieces of every dream I've ever had still resides within me, repurposed for use with who I've come to be. I'm happy that my life hasn't turned out the way I thought it would. It's been so much better.
Now, I get to apply the lessons of over three decades of living towards the next year, just to see how good I can make it. I know how to take whatever comes, be grateful for what I have, be patient with myself as I continue to discover and refine myself. There's a lot more stamina and strength within me that I can use whenever I need it. And there's so much experience that I can use to be compassionate towards whomever I meet. That's why it's wonderful getting older. You get smarter, wiser, more experienced and comfortable. I still have a long, long way to go in my development, but I'm so happy with the progress I've made and the man who grounds me.
All in all, it's been a pretty great life. I'm really looking forward to seeing what it looks like a year from now.